1) Chaucer’s best descriptions, of man,
manners and place, are of the first rank in their beauty, impressiveness, and
humour. Even when he follows the common examples of the time, as when giving
details of conventional spring
mornings and flowery gardens , he has a vivacity
that makes his poetry unique.
THE
HISTORICAL BACKGROUND (1350-1450)
LITERARY
FEATURES OF THE AGE :
1 1. The standardizing of English.
French and English have amalgamated to form the standard English tongue, which attains to its first full expression in the works of Chaucer.
2. A curious 'MODERN' NOTE begins to be apparent at
this period. There is a sharper spirit of criticism, more searching interest in man’s affairs, and
a less childlike faith in, and a less complacent acceptances of, the establish
order. The vogue of romance, though it has by no means gone, is passing, and in
Chaucer it is derided. The freshness of the romantic ideal is being superseded by the more acute spirit of the
drama, which even at this early time is faintly foreshadowed.
3. Prose:
The era sees the foundation of an English prose style. Earlier specimens have been experimental or purely imitative; now, in the works of Mandeville and Malory, we have prose that is both original and individual. The English tongue is now ripe for a prose style. The language is settling to a standard; Latin and French are losing grip as popular prose mediums and the growing desire for an English Bible exercises steady pressure in favour of a standard English prose.
The era sees the foundation of an English prose style. Earlier specimens have been experimental or purely imitative; now, in the works of Mandeville and Malory, we have prose that is both original and individual. The English tongue is now ripe for a prose style. The language is settling to a standard; Latin and French are losing grip as popular prose mediums and the growing desire for an English Bible exercises steady pressure in favour of a standard English prose.
4. Scottish Literature:
For the first time in our literature,
in the person of Barbour (1316 (?)-9 95), Scotland supplies a writer worthy of
note. This is only the beginning; for the tradition is handed on the powerful
group Who are mentioned in this age.
His life :
The date of his birth is uncertain, but
it is now generally accepted
as being 1340. He was born in
London, entered the household of the wife of the
Duke of Clarence (1357), and saw military
service abroad, where he was
captured. Next he seems to have entered the royal household,
for he is frequently
mentioned as the recipient of royal pensions and bounties. When Richard II
succeeded to the crown, Chaucer was confirmed in his offices and pensions, and
shortly afterwards.
He was sent to Italy on one of his several diplomatic
missions. He was first poet to be buried in what
is now known as poets corner
in west minister Abbey.
His poems :
The order of chaucer’s poem cannot be
ascertained with certitude. But from internal evidence they
can as a rule be
approximately dated.
It is now customary to divide the Chaucerian
poems into three stages. THE ITALIAN, and THE
FRENCH, and THE ENGLISH of which
is the last is a development of the first two.
1) FRENCH STAGE :
1) FRENCH STAGE :
The Romaunt of the Rose:
(The Romaunt) is a partial translation into Middle English of the French allegorical poem, le Roman de la Rose (le Roman). Originally believed to be the work of Chaucer, the Romaunt inspired controversy among 19th-century scholars when parts of the text were found to differ in style from Chaucer's other works. Also the text was found to contain three distinct fragments of translation. Together, the fragments—A, B, and C--provide a translation of approximately one-third of Le Roman.
(The Romaunt) is a partial translation into Middle English of the French allegorical poem, le Roman de la Rose (le Roman). Originally believed to be the work of Chaucer, the Romaunt inspired controversy among 19th-century scholars when parts of the text were found to differ in style from Chaucer's other works. Also the text was found to contain three distinct fragments of translation. Together, the fragments—A, B, and C--provide a translation of approximately one-third of Le Roman.
There is little doubt that Chaucer did translate Le Roman de la Rose under the title The Romaunt of the Rose: in The Legend of Good Women, the
narrator, Chaucer, states as much. The question is whether the surviving text
is the same one that Chaucer wrote. The authorship question has been a topic of
research and controversy. As such, scholarly discussion of the Romaunt has tended toward linguistic rather
than literary analysis.
Scholars today generally agree that only fragment A is
attributable to Chaucer, although fragment C closely resembles Chaucer's style
in language and manner. Fragment C differs mainly in the way that rhymes are
constructed. And where fragments A and C adhere to a
London dialect of the 1370s, Fragment B contains forms characteristic of a
northern dialect.
The Book of the Duchess:
The Book of the Duchess is the first of Chaucer's major poems. Scolars are uncertain about the date of composition. Most scolars ascribe the date of composition between 1369 and 1372. Chaucer probably wrote the poem to commemorate the death of Blanche of Lancaster, John of Gaunt's wife. Notes from antiquary John Stowe indicate that the poem was written at John of Gaunt's request.
The poem begins with a sleepless poet who lies in bed reading a book. The poet reads a story about Ceyx and Alcyone and wanders around in his thoughts. Suddenly the poet falls asleep and dreams a wonderful story. He dreams that he wakes up in a beautiful chamber by the sound of hunters and hunting dogs. The poet follows a small hunting dog into the forest and finds a knight dressed in black who mourns about losing a game of chess. The poet asks the knight some questions and realizes at the end of the poem that the knight was talking symbolically instead of literally: the black knight has lost his love and lady. The poet awakes and decides that this wonderful dream should be preserved in rhyme.
2) ITALIAN STAGE :
The Parliament of
Fowls :
The Parliament of Fowls is also known as The "Parlement of
Foules", "Parliament of Foules," "Parlement of
Briddes," "Assembly of Fowls" or "Assemble of Foules".
The poem has 699 lines and has the form of a dream vision of the narrator. The
poem is one of the first references to the idea that St. Valentine's Day was a
special day for lovers. As the printing press had yet to be invented when
Chaucer wrote his works, The Parliament of Fowls has been passed down in fourteen manuscripts
(not including manuscripts that are considered to be lost). Scholars generally
agree that the poem has been composed in 1381-1382.
The plot is about the narrator who dreams that he passes through a beautiful landscape, through the dark temple of Venus to the bright sunlight. Dame Nature sees over a large flock of birds who are gathered to choose their mates. The birds have a parliamentary debate while three male eagles try to seduce a female bird. The debate is full of speeches and insults. At the end, none of the three eagles wins the female eagle. The dream ends welcoming the coming spring.
The plot is about the narrator who dreams that he passes through a beautiful landscape, through the dark temple of Venus to the bright sunlight. Dame Nature sees over a large flock of birds who are gathered to choose their mates. The birds have a parliamentary debate while three male eagles try to seduce a female bird. The debate is full of speeches and insults. At the end, none of the three eagles wins the female eagle. The dream ends welcoming the coming spring.
The letter has a fine opening and in the characterization of the birds, shows chaucer’s true comic spirit. Troilus and Criseyde is a long poem adapted from Boccaccio but its emphasis on character it is original, and indicative of the line of chaucer’s development. This both poem chaucer’s best narrative work.
The House of Fame :
(Hous
of Fame in the original
spelling) is a Middle English poem by Geoffrey Chaucer,
probably written between 1379 and 1380, making it one of his earlier works. It
was most likely written after The Book of the Duchess, but its
chronological relation to Chaucer's other early poems is uncertain.
The House of Fame is over
2,000 lines long in three books and takes the form of a dream vision composed in octosyllabic couplets.
Upon falling asleep the poet finds himself in a glass temple adorned with
images of the famous and their deeds. With an eagle as a guide, he meditates on
the nature of fame and the trustworthiness of recorded renown. This allows
Chaucer to contemplate the role of the poet in reporting the lives of the
famous and how much truth there is in what can be told.
The third or English group contains
work of the greatest individual accomplishment.
The achievement of this period
is the Canterbury tales, though one or two of the separate tales may
be of
slightly earlier composition. For the general idea of the tales Chaucer may be indebted to
Boccaccio, but in near every important feature the work is
essentially English. The separate tales are
linked with their individual
prologues, and with dialogues and scarps of narrative.
There are two prose tales, Chaucer’s own Tale of
melibee and The Parson’s Tale ; and nearly all the others are composed in a
powerful and versatile species of the decasyllabic or heroic couplet.
1) The Tale of Melibee (also
called The
Tale of Melibeus)
The story concerns Melibee who is away one day when three enemies break into his house, beat
The story concerns Melibee who is away one day when three enemies break into his house, beat
his wife Dame Prudence, and attack his daughter, leaving
her for dead. The tale then proceeds as a long
debate mainly between Melibee
and his wife on what actions to take and how to seek redress from
his enemies.
His wife, as her name suggests, counsels prudence and chides him for his rash
opinions.
their points. Dame Prudence is a woman discussing the role of
the wife within marriage in a similar
The subject of the parson's
"tale" (or rather, treatise) is penitence. It may thus be taken as containing inferential criticism of the behaviour and character of humanity detectable in
all the other pilgrims, knight included. Chaucer himself claims to be swayed by the
plea for penitence, since he follows the Parson's Tale with a Retraction (the conceit which
appears to have been the intended close entire cycle) in which he
personally asks forgiveness for any offences he may have caused and (perhaps)
for having deed to write works of worldly vanitee at
all (line 1085).
The The parson divides penitence into
three parts; contrition of
the heart, confession of the mouth, and satisfaction. The second part about confession
is illustrated by referring to the Seven Deadly sins offering remedies against them.
The Seven Deadly Sins are pride, envy, wrath, sloth, greed,gluttony, and lust;
they are "healed" by the virtues of
humility, contentment, patience attitude, mercy, moderation, and chastity.
FEATURES OF HIS POETRY :
FEATURES OF HIS POETRY :
- The first thing is that strikes the eye is the unique position that Chaucer’s work occupies in the literature of the age. He is first, with no competitor for hundreds of years to challenges his position.
- Among Chaucer’s literary virtues his acute faculty of observation is very important. He was man of the world, mixing freely with all type of mankind; and he used his opportunities to observe the little peculiarities of human nature.
- Chaucer’s best descriptions, of man, manners and place, are of the first rank in their beauty, impressiveness, and humour. Even when he follows the common examples of the time, as when giving details of conventional spring mornings and flowery gardens , he has a vivacity that makes his poetry unique.
- “ The bisy larke, messager of day,
Salueth in her song the morwe gay,And firy phocebus riseth up so brightThat all the orient laugheth with the lighte.”The knight’s Tale
- The prevailing feature of chaucer’s humour is its Urbanity: the man of the worlds kindly tolerance of the weakness of his erring fellow mortals. He lays an emphasis on pathos, but it is not overlooked. In the poetry of chaucer’s the sentiment is human and unforced. We have excellent example of pathos in the tale of the ‘prioress’ and in ‘The Legend of good women’.
- Chaucer’s stories viewed strictly as stories, have most of the weakness of his generation : a fondness for long speeches, for pedantic digressions on such subjects as dreams and ethical problems, and for long explanation when non are necessary.
- His Metrical skill: The seven lined stanza a b a b b c c has become known as the Chaucerian or rhyme royal. He shows the skill that is as good as the very best apparent in the contemporary poems.
- We many summarize chaucer’s achievement
by saying that he is earliest of the great moderns. In comparison with the
poets of his own time, and those of the succeeding century, the advance he
makes is almost starting. All the chaucerian’s features help to create this
modern atmosphere. He is indeed a genius ; he stands alone, and for nearly two
hundred years none dare claim equality with him. IMPORTANT EVENTS OF THE AGE OF THE CHAUCER EVENTYEAREdward III’s reign1327-1377William Langland born1332Beginning of the hundred years War with France1338Chaucer born1340Battle of Crecy1346The Black Death (Plague)1348-49Battle of Poictiers1356Rechard II’s reign1377-99Wyclif’s Bible1380Wat Tyler’s Rebellion1381Henry IV ascends the throne1399Death of Langland1400Death of Chaucer1400
nice pick up from edward albert's book
ReplyDeleteWell do you have good notes on chaucer
DeleteHmm
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